A question of listening

09/11/2024

5 min reading time

Selma Selman

Selma Selman creates her poetry of the future from multiple generations of Roma heritage completed with her subjective family story and history from Bihać, Bosnia. Her work shows that any engagement with minorities and the colonized must begin with listening.

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Selma Selman does not stop at seeming successes: her wisdom is trans­gen­er­a­tional, and she looks towards a future which we perhaps cannot even envisage. She creates her poetry of the future from multiple gener­a­tions of Roma heritage completed with her subjec­tive family story and history from Bihać, Bosnia. Her work, “Mercedes Matrix”, was a live disas­sem­bling of a used Mercedes Benz car, with many parts recy­cled in her painting series, enti­tled “Paint­ings on Metal”.

At SCHIRN, she installs gigantic mobile flower instal­la­tions which are trans­formed from used multi­pronged grab truck arms. The arms come to life as opening and closing flower petals, which appear anthro­po­mor­phic, with eyes, some complete with teardrops. The accom­pa­nying smell of gaso­line heightens the tension between the notion of the fragility of flowers, and the robust metal waste, creating a space for contem­plating beauty and at the same time dura­bility, even resilience. Selman’s artistic strategy applies her family’s knowl­edge about finding beauty and value – in what others consider worth­less waste.

Selma Selman. Flowers of Life, Exhibition view, 2024
Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz
Selma Selman. Flowers of Life, Detailansicht
© Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

The strength and knowledge of generations

Her draw­ings, “Super­po­si­tional Inter­sec­tion­alism”, connect as well to the Roma aware­ness about life, the universe and our plan­e­tary connect­ed­ness. “Tajsa” in Romani language means present, past and future. The language demon­strates a convic­tion, that humans – as the quantum physics super­po­si­tional theory proved – exist in an infi­nite number of poten­tial times and possi­bil­i­ties. The self-portrait draw­ings by Selman extend the shape of the human body and present their trans­gres­sions.

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Selman’s unapolo­getic femi­nism takes as its point of depar­ture the strong and resilient char­acter of her mother, and through her, gives voice and visi­bility to other Bosnian women –posi­tions, then trans­mit­ting the power of gener­a­tions to fuel the activism of Selman. Love and sensu­ality inhab­ited her first works dedi­cated to her mother. When her mother first took Selman to the sea, she created a video work (“SALT­WATER AT 47”, 2015-2016) of her first encounter with the Adri­atic Sea and with the sea in general. Through the three-dimen­sional model­ling of her mother’s unre­alised child­hood dreams, the artist created a room printed in pink plastic, to realise this dream in the artwork (“A Pink Room of Her Own”, 2020).
Selman’s expe­ri­ence as a woman, and her survival expe­ri­ences in general are also tied to other members of her family – to her father, brother, and cousins – working for her expres­sion and success.

It all starts with listening

The current exhi­bi­tion at SCHIRN, enti­tled “Flowers of Life”, presents her multi-layered work and growing visi­bility as a Roma woman artist. Through her draw­ings, video works, instal­la­tion pieces and live perfor­mances, we can observe the prevailing decolo­niality tendency in the arts, by which all engage­ment with minori­ties and colonies begins with listening. Many of the western inter­ven­tions simply imagine liber­a­tion and freedom as a perfect mirroring of what they know. When we listen, however, we recog­nise that many of the insur­gent move­ments actu­ally aim to access space, with many forging strate­gies not to with­draw from, but to better engage in citi­zen­ship. Many fight to access main­stream infra­struc­ture, or seek to estab­lish visi­bility, or have move­ments for alter­na­tive nation­hood, even a terri­tory which they can call their own.

She is “the most dangerous woman in the world” (self-declared in 2020), but also one with a touching vulner­a­bility, and with a burning desire to instil justice in all souls, inviting all of us to listen and connect.

Selma Selman. Flowers of Life, Ausstellungsansicht
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