A question of listening
09/11/2024
5 min reading time
Selma Selman creates her poetry of the future from multiple generations of Roma heritage completed with her subjective family story and history from Bihać, Bosnia. Her work shows that any engagement with minorities and the colonized must begin with listening.
It all starts with listening
The current exhibition at SCHIRN, entitled “Flowers of Life”, presents her multi-layered work and growing visibility as a Roma woman artist. Through her drawings, video works, installation pieces and live performances, we can observe the prevailing decoloniality tendency in the arts, by which all engagement with minorities and colonies begins with listening. Many of the western interventions simply imagine liberation and freedom as a perfect mirroring of what they know. When we listen, however, we recognise that many of the insurgent movements actually aim to access space, with many forging strategies not to withdraw from, but to better engage in citizenship. Many fight to access mainstream infrastructure, or seek to establish visibility, or have movements for alternative nationhood, even a territory which they can call their own.
She is “the most dangerous woman in the world” (self-declared in 2020), but also one with a touching vulnerability, and with a burning desire to instil justice in all souls, inviting all of us to listen and connect.
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