Lorem ipsum dolor sit
- Context
How Hip Hop sings about its dead
- ContextInterview
5 questions for Mary Messhausen and proddy produzentin
- Context
Hip hop is Black culture – not the other way around
- Context
Now at the SCHIRN: Cosima von Bonin
- Context
Shallow lakes – plumbing the depths
- Context
The film to the exhibition: Melike Kara. Shallow Lakes
- Context
FIVE GOOD REASONS TO VIEW THE CULTURE IN THE SCHIRN
- Context
When subculture becomes mainstream – a balancing act
- Context
Now at the SCHIRN: The Culture: Hip hop and contemporary art in the 21st century
- Context
Julia Feininger – Artist, Caricaturist, and Manager
- ContextInterview
Lyonel Feininger and the Harvard Art Museums. Part 2
- Context
Five good reasons to view Melike Kara in the SCHIRN
- ContextInterview
Lyonel Feininger and the Harvard Art Museums. Part 1
- Context
2024 AT THE SCHIRN
- Context
The film to the exhibition: Lyonel Feininger
- ContextInterview
Empathy, but how? Julia Grosse talks to Elisabeth Wellershaus
- Context
In the incognito of the mask. Lyonel Feininger’s self-portraits
- Context
Sculptural approaches to a feminist city
- Context
Now at the SCHIRN: JOHN AKOMFRAH
- Context
Five good reasons to view Lyonel Feininger in the SCHIRN
- Context
Now at the SCHIRN: LYONEL FEININGER
- Context
Between athletic exercise and artistic inspiration
- Context
The film to the exhibition: Maruša Sagadin
- Context
Please be seated! On the (im)possibilities of a bench
- ContextInterview
The eventful history of plastic in design
- Context
Five good reasons to view Maruša Sagadin in the SCHIRN
- Context
“Location, location location” – Frankfurt History with Martha Rosler
- ContextInterview
What does peace mean today?
- Context
A journey throughout the decades with Super 8
- Context
The film to the exhibition: Plastic World